The incredible colour saturated finish of an Ilfochrome photograph requires a super smooth mounting surface for the best effect. An inferior mounting technique can result in the photograph wrinkling.
Any framer can frame a photograph, but only a professional who has experience mounting Ilfochrome (formerly Cibachrome) photographs will do it justice. We therefore highly recommend the services of our very own in-house master framer who has extensive experience in mounting and framing techniques. This will help ensure that your limited edition work of art will be preserved for future generations.
We suggest selecting a mat colour that does not compete with the image. The most popular colours are traditionally Black, Black with White Bevel edge, or a White or Cream mat. Whatever your choice of frame and matting, the aim is to provide a beautiful well-balanced combination that enhances the work of art without overpowering it.
We also offer very competitive freight rates anywhere in the world for limited edition framed photographs. Simply record your frame and mat choice on the order page.
Mats
Our choice of mat is the conservation grade ‘Rag Mat’. As an Ilfochrome photograph is designed to stand the test of time by retaining its colours and not fading so too should all materials that come into contact with it. A mat is not only essential to keep the glass from contacting the work of art, but it also enhances the ‘Window into the Scene’ effect.
There are cheaper mats that look similar, but only the 100% cotton Rag Mat will last like the photograph and not damage it. The conservation grade Rag Mat is far superior with fade resistance and is recommended for museum quality fine art.
Frame And Mat Sizes
| IMAGE SIZE | MAT WIDTH | FRAME WIDTH | FRAME SIZE (EDGE TO EDGE) |
| 20″-50 X 17cm | 8cm (top and sides) – 9cm (bottom) | 4cm wide – 2cm deep | 74 x 41cms (narrow frame) – 80 x 47cms (wide frame) |
| 40″-100 x 35cm | 8cm (top and sides) – 9cm (bottom) | 4cm wide – 2cm deep | 134 x 65cms (wide frame) |
| 60″-150 x 50cm | 11.5cm (top and sides) – 13cm.3 (bottom) | 7cm wide – 2-3cm deep | 186 x 88cms (wide frame) |
Frame Styles
The following quality timber frames are our six most popular choices. All frames shown below have a narrow version available (except Gold and Silver). The narrow versions are the same price as our standard frames and measure 4 x 2cm, they suit the 50 x 17cm images only.
If you require a matboard or frame style outside of our range or have any framing queries in general please contact the photographer, Greg Hoogstrate on +61 429 200 341
Name: Mahogany
Width: 7cm
Depth: 2cm
To Suit: 20” (50X17cm)
40” (100X35cm)
60” (150X50cm)
Name: Black Rustic
Width: 6.5cm
Depth: 2cm
To Suit: 20” (50x17cm)
40” (100X35cm)
60” (150X50cm)
Name: White Rustic
Width: 6.5cm
Depth: 2cm
To Suit: 20” (50X17cm)
40” (100X35cm)
60” (150X50cm)
Name: Black Satin
Width: 6cm
Depth: 2cm
To Suit: 20” (50X17cm)
40” (100X35cm)
60” (150X50cm)
Name: Modern Gold
Width: 6cm
Depth: 2.5cm
To Suit: 20” (50X17cm)
40” (100X35cm)
60” (150X50cm)
Name: Modern Silver
Width: 6cm
Depth: 2.5cm
To Suit: 20” (50X17cm)
40” (100X35cm)
60” (150X50cm)
Acrylic / Uv Glass
In areas of excess illumination or daylight we recommend the use of a 97% UV Glass to protect your work of art. (97% UV Glass is not available in the 150 x 50cm size so a 98% acrylic is used instead.)
UV Acrylic and UV Glass both come in either ‘Clear’ or ‘Reflection Control’ (non-reflective). However, if you have your work hung in a reflection prone area it is a far more pleasing result to use spotlights as a form of reflection control.
| SIZE | 97% UV GLASS | 98% UV ACRYLIC |
| 20″-50 X 17cm | ||
| 40″-100 x 35cm | ||
| 60″-150 x 50cm |
Spotlighting
No Limited Edition Ilfochrome is complete without the amazing ‘Illumination-Effect’ of a ceiling downlight. A downlight dramatically adds life to the image by highlighting the vast array of intense colours that the Ilfochrome’s are famous for, even in the shadow areas. An Ilfochrome Limited Edition Gallery photograph is designed to be used in conjunction with a downlight or spotlight.
Downlights are also a great alternative to ‘non-reflective glass’ in areas where a degree of reflection control is needed.
Raised or flush mounted ceiling downlights can be readily purchased from most lighting shops at a minimal cost. Use a ‘50 watt, 30 degree EXZ Dichroic Halogen’ bulb for downlights no more than 2-3 metres away from the image. Your local electrician can wire your downlight directly into the main light switch, or will convert your existing single switch panel into a double switch panel.